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The Career and Communities of Zaynab Fawwaz
Feminist Thinking in Fin-de-siècle Egypt
von Marilyn Booth
Verlag: Oxford University Press
E-Book / EPUB
Kopierschutz: Adobe DRM


Speicherplatz: 2 MB
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ISBN: 978-0-19-266133-3
Erschienen am 05.11.2021
Sprache: Englisch
Umfang: 496 Seiten

Preis: 136,99 €

Biografische Anmerkung
Klappentext

Marilyn Booth earned her doctorate in Middle East History and Modern Arabic Literature from St Antony's College, University of Oxford. She has taught at American University in Cairo, the University of Illinois, Brown University, University of Edinburgh as Iraq Chair in Arabic and Islamic Studies, and currently, Magdalen College and the Faculty of Oriental Studies, University of Oxford as Khalid bin Abdullah Al Saud Chair. She has published books and essays on intersections of gender history, Arabic literature, and women's writing in nineteenth- and early-twentieth century Egypt, and is a prize-winning literary translator and co-winner of the 2019 Man Booker International Prize.



Zaynab Fawwaz (d. 1914) emerged from an obscure childhood in the Shi'I community of Jabal 'Amil (now Lebanon) to become a recognized writer on women's and girls' aspirations and rights in 1890s Egypt. This book insists on the centrality of gender as a marker of social difference to the Arabic knowledge movement then, or Nahda. Fawwaz published essays and engaged in debates in the Egyptian and Ottoman-Arabic press, published two novels, and the first play known to have been composed in Arabic by a female writer. This book assesses her unusual life history and political engagements--including her work late in life as an informant for the Egyptian khedive.
A series of thematically focused chapters takes up her views on social justice, marriage, divorce and polygyny, the 'gender-nature' debate in the context of local understandings of Darwinism, education, and imperialism and Islamophobia, attending also to works by those to whom Fawwaz was responding. Her role in the first Arabic women's magazine, and her contributions to later women's magazines, are part of the story, too. Further chapters consider her uses of history in fiction to criticize patriarchal control of young women's lives, and her play as an intervention into reformist theatre, and the question of women's access to public culture in 1890s Egypt. Questions of desirable masculinities are central to all of these. Fawwaz was also known for her massive biographical dictionary of world women. In that work as in her essays, Fawwaz articulated an ethics of social belonging and sociality predicated on Islamic precepts of gender justice, and critical of the ways male intellectuals had used 'tradition' to silence women and deny their aspirations.


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